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Artist's Statement"Why am I an artist?
Well, that is a good question and there are many potential answers; however, the simple truth is that I make art because it is a natural thing for me to do. To create pictures is to be involved in a strange, wonderful and mysterious activity that deepens the sense of mystery and fascination that I think we all experience in our lives.
How do I use art as a form of expression?
I believe passionately in the power of art to transform both ourselves and the environment in which we live. Art has always enhanced our lives; it has always been with us; we started drawing on walls in caves, we have a need to reflect the world around us, to present it back to ourselves in different forms.
Although originally from the UK, I have spent many years living and working abroad and have enjoyed the experience of getting to know different societies, their people and culture. I spent many years in Germany, Cyprus and most recently in the Middle East. The countries in which I have lived and worked are ever present in my work. You don’t have to look very far to see the evidence; the blue and turquoise of the Mediterranean, the warm ochres of the Persian Gulf, a certain underlying preoccupation with design and order and the tactile qualities of earth and stone.
What’s my perspective?
I am primarily an abstract painter.In my painting, I don’t attempt to describe a particular place or geographical location. I am more interested in sensations and experiences, the shapes, the colours and the textures that can be combined to create the unexpected. I am interested in visual rhythms and sequences of shapes. I enjoy the hypnotic effect of repetition and the interplay between the flatness of the canvas and our desire to see depth and perspective. I have always seen a close connection between music and painting. I see certain colours and shapes as potential chord structures and my task is to find groupings that work; inevitably the permutations are limitless but I am always searching for ‘notes’ that truly sing together.
What do I want my art to communicate?
When we begin to talk about seeing and perception, we know that what we see is only a part of the story, just the tip of the iceberg. We don’t merely see what is directly in front of us, we see in relation to ourselves, our past and our experiences. If my paintings have an uncertain quality then I may have made some progress because nothing in this world stays the same, nothing is fixed. For me, this is where the real magic and power of art resides, in the alchemy of materials, memory, awareness, experience and feeling. This is why painting is ultimately so rewarding and when you get it right you just know.
Why am I interested in Photography?
The relationship between painting and photography has always fascinated me. I enjoy photography as an art form in its own right and I believe that these two visual mediums are inextricably linked. Painting had a profound effect on the development of photography and photography has influenced and continues to influence painters in many important ways. From the early days of the ‘camera obscura’ there has been a continuing dialogue between painting and photography and this can be seen in the work of many contemporary artists. I generally see my photographic work as a very different way of making images and I rarely use them as direct source material for my paintings. However, I have no doubt that the act of constantly looking at the world through a viewfinder has left an indelible, if not immediately visible impact on all my work.
Foundation Course Art & Design (Liverpool University)
B.A. Fine Art (Manchester University)
A.T.D. (Liverpool University)
Master of Arts (Open University)
Peter Corr's Portfolios
Fenland Photography Series
"We know the world exists beyond black, white and shades of grey; our everyday life is a kaleidoscope of colour.
Light reaches our eyes and transforms into colour. Newton observed that colour is not inherent in objects, we are the sole authors of this coloured universe.
Seeing triggers an array of emotions and cultural associations. Perception is inseparable from preconception, and colour acts as a distorting prism."
"For me, this land called the Fenland exists only in black and white; the colour here serves only to mislead and distract. It is a cosmetic, an affectation.
This is a rudimentary, utilitarian landscape, reclaimed from the sea, re-purposed and reconfigured.
"I took these black and white photographs during the winter of 2020/21, at the height of the COVID-19 pandemic".
They include landscapes, buildings, rivers, trees and roads; people are noted by their absence.