






Paula Armstrong
MediaTextile Art
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Commissions AcceptedNo
Tuition OfferedNo
Artist's StatementPaula has always had a love affair with fabric and yarn. Having initially practiced various forms of embroidery including ecclesiastical she wanted to make her fabric rather than just embellish it. This led to her interest in woven tapestry and other constructed and complementary textile techniques.
Her work is above all tactile and vibrantly coloured. Her semi abstract designs are informed by her fascination with the structures and patterns of the natural world, and have a strong tendency towards pattern and the decorative.
Paula’s influences are many and they change as she continues to research visual imagery. With regard to technique the varied functional textile objects of the African Continent, the Americas and the South Pacific Islands engage her interest and inform her practice. She also finds the revival of modern tapestry since the early 20th century exciting and inspiring, and her constant reference.
Art StyleAbstract
Art SubjectsAbstract
Art Materialsgold, embroidery, needlefelt, paper, wool, cotton
Paula Armstrong's Portfolios
Woven Tapestry Panels
Paula's main body of work is comprised of tapestry weaving wall hangings. All of these are suitable for enhancing domestic settings. Tapestry weaving is both a fine art and craft whereby the design of the former is executed by the latter. Imagery can be representational, abstract, or a combination of the two. Paula is a pattern maker, and works from images of the natural world to create her designs. She also loves texture and embellishes her weaving with knotting, weft wrapping and whipping.
Plysplit Braiding and other constructed textiles
As well as woven tapestry Paula is interested in other constructed textiles which originate from non European countries, most notably pre-Columbian Peruvian textiles and textiles from the African continent such as Kente cloth , Kuba cloth (Shoowa) raffia weaving, Chilkat blanket weaving from the North West coast of Canada, and ply split braiding. This last was originally woven to create camel girths and other animal regalia in Rajasthan. She finds the ethnography of these textiles fascinating, how different indigenous peoples use their natural materials to create cloth for their clothing, domestic, ritual and celebratory needs. She is also hooked on all the different techniques and loves making sample weaves to demonstrate them.














