Goran

MediaDigital art, Drawing, Illustration, Mixed media / Collage, Other, Painting, Photography

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Artist's StatementFor me, art is a language of communication with the surrounding world and with myself, my personal system of signs that allows me to express what I am trying to understand and to involve others in this process. I perceive artistic practice as a tool of research, where through the creation of images and worlds I explore the nature of perception, thinking, and the inner transformation of a person.
For more than 18 years, I have been fully immersed in the development of virtual worlds, characters, environments, and the writing of scripts for digital spaces and social networks built upon them. My work exists at the intersection of art, technology, and philosophy. I create visual and semantic systems that reveal the theme of dialogue between a human and the new digital space, as well as with oneself within it.
Since 2021, I have been actively applying Artificial Intelligence in my practice, training Stable Diffusion models based on my own drawings. This approach allows me to create images that have no analogues in open access, ensuring the uniqueness of my visual language while preserving my signature style and artistic handwriting.
My main working tools include Stable Diffusion, Blender, Adobe Photoshop, Adobe Premiere, and other software as needed. However, I see technology merely as a conduit for ideas: at the core lies the artistic concept, where each work becomes a space for contemplation, immersion, and the search for meaning, uniting visual storytelling with the emotional experience of the viewer.

Art StyleAbstract, Contemporary, Illustrative, Conceptual, Cartoon

Art SubjectsAbstract, Landscape, Still Life, Portrait, Seascape, Nature, Imaginary, Fantasy

Art Materialsoils, watercolour, pen, coloured pencil, ink, pencil, paper, canvas, digital

Goran's Portfolios

The World of Skifija.

Skifija is a fantasy world created by imagination and gathering in its ranks those who would like to develop in the world of role-playing games. You have complete freedom to create an image and continue the story with your participation. The original population of Skifija consists of gnomes, fairies, wizards and other fantasy creatures. But you can complement, and maybe even change the course of events if you have Knowledge, Experience and Strength.
I mainly use digital methods in developing characters, but sometimes I make sketches and drawings with pencil, watercolor or oil.
This time I did it with watercolor to feel the emotional state and dynamics of the character's movement. In the moment I have a team of characters, a environment in which they exist, all that remains is to write scenarios for the development of events and you will begin to live in a Fairy Tale or a Game.

Perhaps these sketches will be useful for other events not related to the Second Life environment, and my portfolio has also filled up a little with options that I can offer or use in future work.

A little history:
Since 2008, my life has been inextricably linked with the social environment of Second Life. I have a paid self-supporting account that has allowed me to live all these years.
In 2019, an idea arose to create a World with the ability to develop and join other role-playing worlds in existing environments of this type. The world bears the name of my brand and is generally read as the World of Skifija.
The World of Skifija is objects that can be transformed, animated, linked to scenarios for interaction, etc. for use in environments created using computer technology.

The brand (Skifija) belongs to me in Second Life.
The scripts, objects, textures that I use are created and uploaded by me, this is the author's work.
The resulting images were made on my computer, licensed and distributed in accordance with the attribution policy of Second Life or other service providers.

For Luxemburg Art Prize 2025 The World of Skifija - The merry Gnome

For Luxemburg Art Prize 2025 The World of Skifija - Fairy baby and Ladybugs

For Luxemburg Art Prize 2025 The World of Skifija - Can you be late - shouts the Time Queen

For Luxemburg Art Prize 2025 The World of Skifija - Wizard and Snails w

For Luxemburg Art Prize 2025 The World of Skifija - Dandelions w

Cambridge 2025. The World of Skifija - Fairy from Cambridge

Digital Illustration

Ukraine War.

Black and WhiteUkraine War

Ukraine. This is a mergerUkraine War

Ukraine. I never thought that I would be in surrealismUkraine War.

Ukraine. After the shelling I stopped recognizing faces people'sUkraine War.

Ukraine. We sit in the basement and wait for the bombs to arriveUkraine War.

Still life. Digital Illustration

Still Life from parallel reality

Untitled_CB44Sweet Still life from a parallel reality

Untitled_CB41002_Still life composition cake and honey from a parallel reality

Untitled_CB39001_Still life composition cake and honey from a parallel reality.

Untitled_CB40003_Still life composition cake and honey from a parallel reality.

Untitled_CB46005_Still Life from parallel reality

Untitled_CB42004_Still Life from parallel reality

Traveling in parallel worlds. Digital Illustration

I use Artificial Intelligence as a research tool. This allows me to expand the possibilities of understanding a reality to which we have limited access. This is reminiscent of using a microscope or telescope, or other equipment that allows you to see what is invisible with the naked eye. In addition, I trained an Artificial Intelligence model on my graphic images and now I get the result of a style that matches mine. Of course, I have to make a choice of options, modify them in additional editors, but I get interesting results and I hope that the viewer will be just as interested in looking at them.

«In search of a way out of the labyrinth.», 2025The image was created during the process of analyzing psychological problems with a psychologist.

A mechanism for sucking vital fluids from a parallel reality. 2024

Mechanism for guessing random numbers 2024I use Artificial Intelligence as a research tool. This allows me to expand the possibilities of understanding a reality to which we have limited access. This is reminiscent of using a microscope or telescope, or other equipment that allows you to see what is invisible with the naked eye. In addition, I trained an Artificial Intelligence model on my graphic images and now I get the result of a style that matches mine. Of course, I have to make a choice of options, modify them in additional editors, but I get interesting results and I hope that the viewer will be just as interested in looking at them.

A mechanism for processing vital fluids from a parallel reality. 2024I use Artificial Intelligence as a research tool. This allows me to expand the possibilities of understanding a reality to which we have limited access. This is reminiscent of using a microscope or telescope, or other equipment that allows you to see what is invisible with the naked eye. In addition, I trained an Artificial Intelligence model on my graphic images and now I get the result of a style that matches mine. Of course, I have to make a choice of options, modify them in additional editors, but I get interesting results and I hope that the viewer will be just as interested in looking at them.

«The one who won’t let you relax in your thoughts in a parallel reality», 2024I use Artificial Intelligence as a research tool. This allows me to expand the possibilities of understanding a reality to which we have limited access. This is reminiscent of using a microscope or telescope, or other equipment that allows you to see what is invisible with the naked eye. In addition, I trained an Artificial Intelligence model on my graphic images and now I get the result of a style that matches mine. Of course, I have to make a choice of options, modify them in additional editors, but I get interesting results and I hope that the viewer will be just as interested in looking at them.

«Mechanism for guessing random numbers_2», 2024I use Artificial Intelligence as a research tool. This allows me to expand the possibilities of understanding a reality to which we have limited access. This is reminiscent of using a microscope or telescope, or other equipment that allows you to see what is invisible with the naked eye. In addition, I trained an Artificial Intelligence model on my graphic images and now I get the result of a style that matches mine. Of course, I have to make a choice of options, modify them in additional editors, but I get interesting results and I hope that the viewer will be just as interested in looking at them.

«A mechanism for sucking vital fluids from a parallel reality», 2024I use Artificial Intelligence as a research tool. This allows me to expand the possibilities of understanding a reality to which we have limited access. This is reminiscent of using a microscope or telescope, or other equipment that allows you to see what is invisible with the naked eye. In addition, I trained an Artificial Intelligence model on my graphic images and now I get the result of a style that matches mine. Of course, I have to make a choice of options, modify them in additional editors, but I get interesting results and I hope that the viewer will be just as interested in looking at them.

«Equipment for teleportation to any point in space», 2024I use Artificial Intelligence as a research tool. This allows me to expand the possibilities of understanding a reality to which we have limited access. This is reminiscent of using a microscope or telescope, or other equipment that allows you to see what is invisible with the naked eye. In addition, I trained an Artificial Intelligence model on my graphic images and now I get the result of a style that matches mine. Of course, I have to make a choice of options, modify them in additional editors, but I get interesting results and I hope that the viewer will be just as interested in looking at them.

Graphics

«Rats in hexadecimal dimension.», 1999Continuation of work in technology as in the case of Adam and Eve. I was obsessed with computerization and tried in every possible way to compete with the work that was done with the help of a computer. It was the beginning of the race and the fight for the championship. Therefore, I introduced myself to rats using mathematics and computers in the process of survival. Without human intervention, they have introduced their intellect and experience to hard media and use computer technologies to chip and develop their civilization. This is a fantastic allegory of what could very well happen

Adam and EveThis is a study of the dependence of the work of the brain under the influence of a religious image and the synchronization of thought with the motor skills of the hand, with the subsequent concretization of the mental image in the resulting image. It was interesting to see what is going on in my head during the creation process and how my knowledge and experience affect this process. After meditation and pondering the topic, the drawing is done instantly, in a few seconds and almost blindly (with closed eyes). Then comes the decoration process (cutting out the contour, toning with an airbrush, sticking on the base ...). At that time, I did not have access to computer technology, perhaps this is an attempt to intensify the creation process and preserve the uniqueness of the work. I emphasize that the work was done entirely by hand and reflects the emotional state of the creator while translating thoughts into real contours and forms. It is like photographing emotions. Why Adam and Eve, you ask? I wanted to see how I live it, how my consciousness perceives these images.

z1 Aries. 1998Zodiac signs. Technical details: create an image in the head, and, immediately, we begin to make arbitrary movements with a pencil along the drawing field. This is done in one go for a minute. The motility of the hands at this moment is directly dependent on emotions. Then, when there is a template, draw the details.

z2 Тaurus. 1998Zodiac signs. Technical details: create an image in the head, and, immediately, we begin to make arbitrary movements with a pencil along the drawing field. This is done in one go for a minute. The motility of the hands at this moment is directly dependent on emotions. Then, when there is a template, draw the details.

z3 Gemini. 1998Zodiac signs. Technical details: create an image in the head, and, immediately, we begin to make arbitrary movements with a pencil along the drawing field. This is done in one go for a minute. The motility of the hands at this moment is directly dependent on emotions. Then, when there is a template, draw the details.

z4 Cancer.1998create an image in the head, and, immediately, we begin to make arbitrary movements with a pencil along the drawing field. This is done in one go for a minute. The motility of the hands at this moment is directly dependent on emotions. Then, when there is a template, draw the details.

z5 Leocreate an image in the head, and, immediately, we begin to make arbitrary movements with a pencil along the drawing field. This is done in one go for a minute. The motility of the hands at this moment is directly dependent on emotions. Then, when there is a template, draw the details.

z6 Virgo. 1998create an image in the head, and, immediately, we begin to make arbitrary movements with a pencil along the drawing field. This is done in one go for a minute. The motility of the hands at this moment is directly dependent on emotions. Then, when there is a template, draw the details.

z7 Libra.1998create an image in the head, and, immediately, we begin to make arbitrary movements with a pencil along the drawing field. This is done in one go for a minute. The motility of the hands at this moment is directly dependent on emotions. Then, when there is a template, draw the details.

z8 Scorpio. 1998create an image in the head, and, immediately, we begin to make arbitrary movements with a pencil along the drawing field. This is done in one go for a minute. The motility of the hands at this moment is directly dependent on emotions. Then, when there is a template, draw the details.

z9 Capricorn. 1998create an image in the head, and, immediately, we begin to make arbitrary movements with a pencil along the drawing field. This is done in one go for a minute. The motility of the hands at this moment is directly dependent on emotions. Then, when there is a template, draw the details.

z10 Sagittarius. 1998create an image in the head, and, immediately, we begin to make arbitrary movements with a pencil along the drawing field. This is done in one go for a minute. The motility of the hands at this moment is directly dependent on emotions. Then, when there is a template, draw the details.

z11 Aquarius. 1998create an image in the head, and, immediately, we begin to make arbitrary movements with a pencil along the drawing field. This is done in one go for a minute. The motility of the hands at this moment is directly dependent on emotions. Then, when there is a template, draw the details.

z12 Pisces. 1998create an image in the head, and, immediately, we begin to make arbitrary movements with a pencil along the drawing field. This is done in one go for a minute. The motility of the hands at this moment is directly dependent on emotions. Then, when there is a template, draw the details.

Painting

Golden forest. 1993A far-fetched landscape, this is not done from nature, it is a state of mind and expectation after the collapse of the USSR. I was young, full of strength and determination. Probably this energy made it possible to survive the nineties quite successfully.

A state print that lives in a construct. (chameleon)This Work is with me all the time, it helps me in the household, sometimes we talk ... She knows all the details about me ..., probably, even knows what I do not know about myself ... My other works made in this technique can be viewed at the link: https://www.flickr.com/photos/secondskifija/albums/72157718681008562